Film Roles

STUNTS- Stunt performer, they step in for the actor/ actress when a dangerous stunt is included into the film. safety precautions are used in the stunt but aren't seen in the final film.

UNIT PRODUCTION MANAGER- They keep and eye on the budget of the film, and also are involved with hiring all the people behind the cameras.

ART DIRECTOR- They work together with the set director but also under instruction by the production designer. The art director is in control of the art department in the film, the quality of the art in the film, such as the appearance of the film, and how the film communicates visually.

SET DRESSING BUYERS- These find suitable dressing and buy it for the actors/ actresses. they are also under instruction by by set dresser.

STORYBOARD ARTISTS- They draw the storyboard of the film into more detailed shots. they are always working with the director so they look of the directors film doesn't go away. Storyboards are traditionally drawn by the storyboard artist but they can also mix the medias by using stock photos, or photos they took in collaboration with their drawings to get a bigger sense of what they are trying to do.

STEADICAM- Steadicam is a brand of camera stabilizing mount for motion picture cameras that mechanically isolates it from the operator's movement, allowing for a smooth shot even when moving quickly over an uneven surface. The Steadicam was invented by cameraman Garrett Brown, and is now a registered trademark of Tiffen.

CAMERA LOADER- A clapper loader more commonly known in the UK is part of a film crew, whose main functions are that of loading the raw film stock into camera magazines, operating the clapperboard at the beginning of each take, marking the actors as necessary, and maintaining all records and paperwork for the camera department

SCRIPT SUPERVISOR- A script supervisor (also called continuity supervisor) is a member of a film crew responsible for maintaining the motion picture's internal continuity and for recording the production unit's daily progress in shooting the film's screenplay. The script supervisor credit typically appears in the closing credits of a motion picture.

BOOM- A Boom operator is an assistant of the production sound mixer. The principal responsibility of the boom operator is microphone placement, usually using a boom pole (or "fishpole") with a microphone attached to the end, their aim being to hold the microphone as close to the actors or action as possible without allowing the microphone or boom to enter the camera's frame.

CHIEF LIGHTING TECHNICIAN- Chief lighting technician are involved with rigging stage and location sets and controlling artificial, electric lights for art and entertainment venues or in video, television, or film production. In a theater production, lighting technicians work under the lighting designer and master electrician.

RIGGING GAFFER- Rigging team are just in charge of the rigging the lighting which is in an unusual position

BEST BOY-  The best boy is an assistant to their department heads, the gaffer and the key grip, respectively. In short, the best boy acts as the foreman for his/her department.

KEY GRIP- , The key grip is the head of the grip department and chief rigging technician on the set. Using light, the key grip is in charge of the shadows of light, the movement of the camera, the placing of cameras on any stationary, moving, flying, or floating surface anywhere a camera is to work. As a supervisor, the key grip directs the crew of grips, many with specialized skills such as dolly grips, crane operators, or special equipment operators.